September 16 - October 16 2021
Group Exhibition "The Secret Garden"
"The relationships of artists and their gardens are investigated in this special online virtual exhibition at Pepney Gallery. The emotional attachment of the artist to the garden, through themes such as children’s art, seclusion, spirituality and sexuality. It explores not only innocent pleasures but also the more painful thoughts and memories that gardens can evoke.
Gardens have inspired artists in many ways, not least directly in the case of those who painted, photographed or administered some other creative expression of their own plots. The history of gardens being the main focal point of subject matter in art is a well know concept.
The subject of gardens and their memories that have been associated with artists or artists’ communities relates to the horticulture of the art. Some are better matched than others (Rubens and his gardens are difficult imaginatively to re-construct; others, such as Monet’s at Giverny have been meticulously conserved), but the real point of interest is the artists’ devotion to gardens and gardening, whether there was a direct correspondence with their art or not. The Secret Spaces that Inspired Great Art, is indicative of this aspect: it is not about a direct correlation of garden to art, but of a “secret space”, that is, of a subliminal, almost inaccessible neural connection to an earthy plot, that is place where artistic enterprise is born for the artists recorded here". (c) Pepney Gallery
February 10 - 14 2021
Czong Institute for Contemporary Art (CICA Museum)
196-30, Samdo-ro, Yangchon-eup, Gimpo-si, Gyeonggi-do, Korea 10049
The Space for Love
The main idea of this exhibition is the ecology of the inner space and how it affects the environment.
Our life is a personal space for filling. A person is born, begins to realize of himself and seeks meaning. This search and its result may be different for everyone, but one way or another it is the filling of our life. We create, we destroy and we create again… We ask ourselves the question "how to be happy?" and trying to construct ourselves and our lives in accordance with some ideal. And sooner or later there is a need for self-identification. But this is not even a rhetorical question “who am I and why?”, but a necessary step in development for realizing our ideal and understanding what kind of world we want to live in. And somewhere here we suddenly realize that perhaps the meaning is not in being happy, but in what our space is filled with.